Galleries Representing the Work of Alexandra Rozenman

Alexandra Rozenman is a Moscow-born Russian-American artist whose surreal, figurative paintings and collages weave personal symbols, folklore, and psychological narratives into dreamlike scenes of displacement and belonging. A political refugee who arrived in the United States in 1989, Rozenman earned her MFA from the School of the Museum of Fine Arts Boston in 1998 and has since built a career that bridges Soviet underground conceptualism, Jewish folk traditions (including family ties to Marc Chagall), and classical training. Her work treats everyday objects—floating teapots, beds on train tracks, flooded interiors—as metaphors for memory, otherness, and transformation. As she often describes it, her art should feel “like a well-worn military wool blanket that gives you warmth, love and history but with a rough surface.”

Gallery representation has been essential in bringing these layered stories to collectors nationwide. In a recent interview, when asked “What galleries are now representing you?” Rozenman replied:

“Three galleries currently represent me or have hosted my shows in recent past: Kingston Gallery in Boston, Fountain Street Gallery ( which used to be in SOWA, Boston but closed last Spring it's location and functions on line!) and Gallery 360 in Minneapolis (collage work). As of November, I was accepted as a core member at Kingston Gallery—one of five new members. It’s a strong group of artists, and I hope to have a really wonderful show there this summer.”

That interview captured a pivotal moment in late 2025. As of March 2026, her representation has evolved slightly due to one gallery’s transition, yet the core relationships remain strong. Here is a detailed, up-to-date overview of the galleries currently and recently representing Alexandra Rozenman’s work.

Kingston Gallery, Boston, MA – Primary Representation and Core Membership Kingston Gallery (kingstongallery.com), located in Boston’s vibrant SoWa Arts District at 450 Harrison Avenue, is a respected, artist-run cooperative known for thoughtful contemporary painting, sculpture, and narrative-driven work. In November 2025, Rozenman was selected as one of only five new core members—an honor that reflects the gallery’s rigorous selection process and her growing prominence in the Boston art scene.

This new affiliation marks an exciting chapter. Kingston will present her solo project exhibition Luftmensch in the Project Space from April 30 to May 31, 2026 (opening reception May 1). The series builds on her earlier Kind Monsters body of work and uses the Yiddish term “luftmensch” (literally “air person”) to explore figures suspended between imagination and reality, artistic lineage, identity, and the fragility of belonging amid displacement. Works such as Healing Each Other Under the Moonlight and How Many Couples Do You See? continue Rozenman’s signature style of surreal displacements and psychological depth.

Kingston’s commitment to artists who create meaningful, story-rich work makes it an ideal home for Rozenman’s practice.

Fountain Street Gallery (Fountain Street Fine Art), Boston, MA – Long-Term Core Representation (Now Online) “Foundry Street” in the interview almost certainly refers to Fountain Street Gallery (fsfaboston.com), a beloved Boston institution where Rozenman served as a core member from 2018 until the gallery’s physical location in the SoWa district closed in March/April 2024. The gallery has since transitioned under new ownership (Rebecca Skinner, 2025) to a dynamic online and virtual presence, with a storefront on 1stDibs.

Rozenman’s work remains actively represented and available for purchase through Fountain Street’s online platform. As recently as early 2026, her paintings were featured in the online group exhibition “The Power of Color.” Over the years she participated in numerous memorable shows there, including two-person exhibitions such as Untold Stories and Twilights, as well as Unfolding Roads. Fountain Street’s focus on narrative and emotionally resonant art perfectly suited Rozenman’s metaphorical language of floating objects, flooded rooms, and folklore-infused symbols.

Even after the physical closure, the gallery continues to connect her work with Boston-area collectors.

Gallery 360, Minneapolis, MN – Long-Standing Representation till 2023. Especially for Collages 

Gallery 360 (gallery360mpls.com) in Minneapolis has been one of Rozenman’s most consistent and important partners for well over a decade. Celebrating more than 25 years in the Midwest art community, the gallery has hosted multiple solo exhibitions of her work, including Enter and Exit (2008), Life or Theater? (2010), Five Feet (2011), and the 2023 exhibition simply titled Collages.

Rozenman has specifically noted that Gallery 360 represents her collage and mixed-media pieces alongside her paintings. This relationship has provided vital national exposure beyond the East Coast, introducing her surreal, psychologically rich visual language to new audiences in the Midwest. The gallery’s support for her dual practice—oil painting and collage—has helped collectors appreciate the full breadth of her metaphor-driven storytelling.

Earlier Representation and Broader Context Prior to her current galleries, Rozenman was represented by Clark Gallery in Lincoln, Massachusetts (1996–2002) under the late gallerist Meredyth Moses. She has also exhibited widely at venues such as Hudson Gallery (Gloucester, MA), the Multicultural Art Center (Cambridge), Trustman Gallery at Simmons College, and various university and cultural centers. Her work is additionally available through online platforms including Artsy, 1stDibs, and Saatchi Art.

Why These Galleries Matter to Rozenman’s Practice The galleries that represent Alexandra Rozenman share a deep appreciation for art that goes beyond surface beauty to explore human experience. Kingston Gallery, Fountain Street (online), and Gallery 360 all champion narrative, figurative, and conceptual work that invites viewers into psychological worlds—exactly where Rozenman thrives. Whether through a solo project like Luftmensch at Kingston or long-term availability of her collages at Gallery 360, these partnerships ensure her stories of exile, memory, and transformation reach thoughtful collectors.

As Rozenman balances her studio practice with teaching at Art School 99 in Somerville, her gallery representation continues to evolve while staying true to the themes that define her: discomfort as growth, metaphor as visual language, and art as both warm blanket and rough surface.

To view or acquire her work, visit: • Kingston Gallery – kingstongallery.com • Fountain Street Fine Art (online) – fsfaboston.com • Her studio and school – artschool99somerville.com

Rozenman’s Luftmensch exhibition at Kingston Gallery this spring promises to be a highlight of the 2026 Boston art season and a perfect introduction to the depth and warmth of her metaphorical world.